The original plan was for the Coppa Florio to be awarded to the manufacturer with the most wins after the first seven editions. Ironically though, with Itala (’05), Isotta Fraschini (’07), Fiat (’08), Nazzaro (’14), Ballot (’21), Peugeot (’22) and Mercedes-Benz (’24) each taking one win apiece, the coppa was not awarded until Peugeot took its second win in 1925, two decades after the first edition. You can check out a brief history of the original running of the Coppa Florio HERE and in our event magazine HERE
In the interim, and to remind drivers and manufacturers alike what they were competing for, Florio also commissioned a set of bronze plaquettes showcasing Polak Ainé’s trophy, examples of which, apparently, can still fetch upwards of 1,000 euros with discerning collectors.
Interestingly, event scholars will notice the original plaquettes commemorated the 1905 ‘Coppa Vincenzo Florio’, and it was only from 1906 onwards that the founder dropped his Christian name from the event. Clearly, the coppa concept had struck a chord with Vincenzo Florio though, as Targa Florio winners from 1906 onwards were also awarded bronze plaques.
Though French artisan Renè Lalique was commissioned to create the 1906 and 1907 plaquettes, for 1908, Florio requested bronze interpretations of the work that artist Duilio Cambellotti had created for the Coppa-Targa Florio-dedicated magazine, Rapiditas. The design proved so popular that it remained an event staple until 1925, and a revised version was even reintroduced to the event from 1948 onwards.